National Living Treasures: Samaon Sulayman

The Magindanaon, one of the largest Islamic groups in the Philippines, are primarily found in the towns of Dinaig, Datu Piang, Maganoy, and Buluan in Magindanao province. Renowned for their intricate weaving, okir designs, jewelry, metalwork, and brassware, their art reflects a unique blend of Southeast Asian influences and distinct cultural identity.

In music, the Magindanaon stand out among Filipino cultural communities, with masters of the kulintang (gong-chime) and kutyapi (two-stringed lute) rivaling virtuosos from the East and West. The kutyapi, a versatile solo instrument, is also played alongside other instruments and is known by various names across ethnic groups, such as kotapi (Subanon) and hegelong (T’boli).

The Magindanao kutyapi is one of the most technically challenging traditional Filipino instruments, contributing to its declining popularity among younger generations. It features two strings: one for rhythmic drone and the other with movable frets for melodies in two pentatonic scales. Its music is celebrated for its melodic richness, rhythmic diversity, and poetic inspiration, capturing both human and natural sounds.

While the kulintang is more widely recognized, the kutyapi is admired for its intimate, meditative quality, maintaining a serene tone even in lively settings. Samaon Sulaiman, a master kutyapi player, exemplifies the instrument’s artistic potential. Starting at 13, he became a celebrated musician and teacher in Maganoy, influencing other experts like Esmael Ahmad and Bitul Sulaiman. Beyond the kutyapi, Samaon is skilled in the kulintang, agong, gandingan, palendag (flute), and tambul. He also served as a barber and Imam in his community.

For his exceptional artistry, dedication to the kutyapi, and efforts to preserve this fading tradition, Samaon Sulaiman is a model of excellence and deserving of the highest recognition.